Category: Objects

Polyester Encapsulated Page Binding *Part Two: The Components

Polyester Encapsulated Page Binding *Part Two: The Components

This past year, the Preservation Lab was recruited to conserve the Public Library’s scrapbook of Althea Hurst.
Scrapbooks are complex library materials.  They are conduits to stories told through the use of collections of ephemeral materials (a.k.a. materials meant to be thrown away and not meant to last), such as newspaper clippings, letters and postcards, and maps.
Due to their collection of content, scrapbooks usually are bursting with problematic preservation issues.  Often, fragile pages hold stiff, brittle, or heavy parts that are adhered and folded.  Components are frequently found layered and overlapping.  These parts are filled with information and are intended to be handled and experienced; however, as the parts become fragile with age they are nearly impossible to touch without causing damage.
Before1

Althea Hurst scrapbook with adhered components, before conservation treatment. 

In most situations, it’s often best to digitize an object and protect it by storing it in an enclosure. I often recommend patrons reference the digital copy rather than handling the physical object.  Alternatively, if an object will be handled (and the importance of the object warrants conservation treatment) another solution is to support the pages by encapsulating them within clear polyester film.  The polyester film encapsulations are then bound into an encapsulated page binding.  This format help preserve the parts in the author’s intended order, however, this course of treatment must be carefully considered as it can sometimes be an invasive solution if disbinding is required.
In the case of the Public Library’s scrapbook, the scrapbook had been previously reformatted by a prior owner due to its poor condition.  At some point in the object’s history, each page and cover had been separated from the binding and stored in non-archival plastic sleeves to protect the pages from breaking.  Oversized rubber bands held the album in two manageable stacks.
Before2

Althea Hurst scrapbook as received, before conservation treatment.

When the library received the object, the pages were in dire need of stabilization before it could be digitized and also needed improved storage.  Because the scrapbook was already disbound into pieces (even the covers were detached) an encapsulated page binding was selected as the most fitting option for storage.  The local historical importance of the scrapbook warranted full treatment.
Before3

Althea Hurst scrapbook, view of inside upper cover and first page, before treatment.

Being a novice in encapsulated page bindings, I reviewed a few binding structures and wrote about my discoveries here.  I settled on constructing a modified screw-post binding to fit the needs of the Public Library’s scrapbook.
Now armed with a direction for constructing the album structure, the next challenge was:
How do I encapsulate a scrapbook that houses a variety of adhered material, such as pamphlets, postcards, letters, maps, and more, and still make the parts accessible?

Encapsulation Techniques

To determine a solution for preserving the arrangement of parts, I researched various methods of welding paper, polyester film, and spun bond sheets of polyester webbing to encapsulated pages.  I compiled the methods into a model binding for reference in preparation for treatment.
Below are a list of experimental solutions for housing and encapsulating the scrapbook’s multiple parts.   Many of the techniques were utilized in the final treatment, as you will see in the photographs below.

1. Traditional Encapsulation

  • This technique was used to fully encapsulate scrapbook pages overall, or to encapsulate removed single sheets that needed extra support
  • Pages or parts were sandwiched between polyester film and ultrasonically welded on all four sides:

traditional

  • Gaps along the corners were left to encourage air exchange and to prevent buildup of acidic off-gassing of the historic materials.

2. U-sleeve: welded on 3 sides for top edge access

  • Useful for items that may need to be handled outside of the plastic and are thick or heavy

Usleeve
 
Usleeve2

Hinged U-sleeve allows access to the card as well as stability for storing next to the envelope.

 

3.  Polyester sheets welded on two parallel sides

  • Could potentially be helpful in the right circumstance for thin items that may need to be handled outside of the plastic. Two access points are helpful for reducing static cling and suction, however, items may accidentally slide out more easily (see next technique for a similar yet preferred method).

4.  L-sleeve: welded along the left side and bottom edge (in the shape of an “L”).Lsleeve

  • Alternative technique to the U-sleeve for storing parts that may require future handling.
  • An L-sleeve can be welded to one side of an encapsulated page binding with an ultrasonic weld after the L-sleeve is created.
  • For thicker materials, an additional small weld along the bottom right edge is helpful to prevent materials from sliding out of the sleeve when the page is turned.

5.  Spot welds: heat or ultrasonically welded

  • Technique used to hold materials in place and prevent them from sliding within an encapsulation

spotweld

6. Thin overlapping attachments

  • Overlapping parts that need to be kept in a specific composition can be carefully removed from the page by a conservator and individually encapsulated.  The encapsulated components can then be welded to the upper sheet of the polyester page using a variety of techniques to preserve the original orientation.
  • Using these techniques allows access to all the components on a page that would otherwise be inaccessible in a traditional encapsulation, and keeps the author’s intended composition.
  • Parts must be oriented and welded to the upper sheet of polyester before creating the finished encapsulated page, i.e. before encapsulating the lower sheet of polyester to the upper sheet.

i83079427_1015_D19N_2 i83079427_1015_D19N_1

7.  Hollytex hinge

  • A strong synthetic hinge (made from spun-bonded polyester) that is welded to the clear polyester sheets with ultrasonic welding.
  • Useful for easily viewing the front and back of  overlapping parts or loose bits.

Detail of Hinge

hollytex

Overlapping Components, Before Treatment:

THE PRESERVATION LAB: A collaboration between the University of Cincinnati and the Public Library of Cincinnati and Hamilton County Object Institution & Library: PLCH CALL #: 977.178092 ffH966Zh 1938 SUBJECT: Althea Hurst scrapbook, 1938 - documents the journey of four Cincinnati school teachers - took a trip to Canada, Nortern Europe, Germany, Eastern Europe, and France. Scrapbook filled with photographs, brochures, notes and other ephemera. DATABASE ID: 1015 ITEM #: i83079427 TREATMENT ID: LIGHTING: EcoSmart 27-Watt (100W) Full Spectrum Craft CFL Fluorescent with sock diffusers FILTER(s): none COMMENTS: CREATOR: Jessica Ebert WEBSITE: thepreservationlab.org

Hinged Overlapping Parts, After Treatment:

THE PRESERVATION LAB: A collaboration between the University of Cincinnati and the Public Library of Cincinnati and Hamilton County Object Institution & Library: PLCH CALL #: 977.178092 ffH966Zh 1938 SUBJECT: Althea Hurst scrapbook, 1938 - documents the journey of four Cincinnati school teachers - took a trip to Canada, Nortern Europe, Germany, Eastern Europe, and France. Scrapbook filled with photographs, brochures, notes and other ephemera. DATABASE ID: 1015 ITEM #: i83079427 TREATMENT ID: LIGHTING: EcoSmart 27-Watt (100W) Full Spectrum Craft CFL Fluorescent with sock diffusers FILTER(s): none COMMENTS: CREATOR: Jessica Ebert WEBSITE: thepreservationlab.org

8. Paper Hinge

paper hinge_1     paper hinge2_1

  • Usu Mino tissue is welded in between two sheets of polyester
  • The extended Usu Mino hinge can then be brushed with paste and adhered directly to a paper leaf.
  • Useful in other applications, for example preserving loose components in paper textblocks, such as pressed flowers or handwritten notes.

9. Polyester four flap attachment

  • For small but thick objects
  • To secure thin components with multiple parts on top of an encapsulated page while still allowing full access

i83079427_1015_D14N_2_2

10. Paper spacers

  • Strips of acid free paper can be placed within an encapsulation to prevent smaller components from moving within larger encapsulated pages.
  • The paper space holders are visually pleasing so the viewer is not distracted by the page below.
  • Static holds thinner sheets in place
  • Thicker textblock leaves may need to be spot welded in-between the document and the paper strip

paperSpacer

11. Stiff support leaf with cloth hinge

  • To support heavy page encapsulations AND/OR include heavy components in pockets on a strong page within the binding
  • Constructed out of 2-ply mat board, PVA, and Canapetta cloth

Before Treatment:

THE PRESERVATION LAB: A collaboration between the University of Cincinnati and the Public Library of Cincinnati and Hamilton County Object Institution & Library: PLCH CALL #: 977.178092 ffH966Zh 1938 SUBJECT: Althea Hurst scrapbook, 1938 - documents the journey of four Cincinnati school teachers - took a trip to Canada, Nortern Europe, Germany, Eastern Europe, and France. Scrapbook filled with photographs, brochures, notes and other ephemera. DATABASE ID: 1015 ITEM #: i83079427 TREATMENT ID: LIGHTING: EcoSmart 27-Watt (100W) Full Spectrum Craft CFL Fluorescent with sock diffusers FILTER(s): none COMMENTS: CREATOR: Jessica Ebert WEBSITE: thepreservationlab.orgAfter Treatment:

THE PRESERVATION LAB: A collaboration between the University of Cincinnati and the Public Library of Cincinnati and Hamilton County Object Institution & Library: PLCH CALL #: 977.178092 ffH966Zh 1938 SUBJECT: Althea Hurst scrapbook, 1938 - documents the journey of four Cincinnati school teachers - took a trip to Canada, Nortern Europe, Germany, Eastern Europe, and France. Scrapbook filled with photographs, brochures, notes and other ephemera. DATABASE ID: 1015 ITEM #: i83079427 TREATMENT ID: LIGHTING: EcoSmart 27-Watt (100W) Full Spectrum Craft CFL Fluorescent with sock diffusers FILTER(s): none COMMENTS: CREATOR: Jessica Ebert WEBSITE: thepreservationlab.org

12. Stiff flyleaf to support encapsulated pages when laying open

  • Constructed out of 4-ply mat board, PVA, and Canapetta cloth
  • The stiff flyleaf contains a smaller hinge than the interior support leaves

THE PRESERVATION LAB: A collaboration between the University of Cincinnati and the Public Library of Cincinnati and Hamilton County Object Institution & Library: PLCH CALL #: 977.178092 ffH966Zh 1938 SUBJECT: Althea Hurst scrapbook, 1938 - documents the journey of four Cincinnati school teachers - took a trip to Canada, Nortern Europe, Germany, Eastern Europe, and France. Scrapbook filled with photographs, brochures, notes and other ephemera. DATABASE ID: 1015 ITEM #: i83079427 TREATMENT ID: LIGHTING: EcoSmart 27-Watt (100W) Full Spectrum Craft CFL Fluorescent with sock diffusers FILTER(s): none COMMENTS: CREATOR: Jessica Ebert WEBSITE: thepreservationlab.org
THE PRESERVATION LAB: A collaboration between the University of Cincinnati and the Public Library of Cincinnati and Hamilton County Object Institution & Library: PLCH CALL #: 977.178092 ffH966Zh 1938 SUBJECT: Althea Hurst scrapbook, 1938 - documents the journey of four Cincinnati school teachers - took a trip to Canada, Nortern Europe, Germany, Eastern Europe, and France. Scrapbook filled with photographs, brochures, notes and other ephemera. DATABASE ID: 1015 ITEM #: i83079427 TREATMENT ID: LIGHTING: EcoSmart 27-Watt (100W) Full Spectrum Craft CFL Fluorescent with sock diffusers FILTER(s): none COMMENTS: CREATOR: Jessica Ebert WEBSITE: thepreservationlab.org
*Bonus Experimental Technique:

13. Welding polyester film to Vivak

  • Even the cover contained an attached component!
  • As per a request by the curator, the original cover was incorporated into the new binding with reversible methods.  The original cover was hinged into a sink-mat package that was sandwiched between a cloth covered mat and a sheet of Vivak.
  • After a bit of experimenting, a polyester L-sleeve was ultrasonically welded to the Vivak “pastedown” so the original arrangement could be preserved

Before Treatment & After Treatment:

i83079427_1015_A04N i83079427_1015_D04N_pastedown

  • A flyleaf of polyester film was hinged onto the “pastedown” to protect the attached component from being abraded by the edges of the textblock leaves:

IMG_1149
Two volumes, after treatment:
IMG_1147_1
Final challenge:  How to manage the scrapbook’s large treatment effectively and efficiently.
To read about our collaborative treatment workflow, please see the next upcoming installment: Polyester Encapsulated Page Binding *Part Three: The Workflow.
Ashleigh Schieszer (PLCH) — Conservator, Conservation Lab Manager
Photographic Documentation – Jessica Ebert (UCL) – Conservation Technician

Nineteenth Century Buddhist Religious Treatise

Nineteenth Century Buddhist Religious Treatise

Palm leaf manuscriptIn August of this year, the Lab received a Palm leaf book from Archives and Rare Books library during one of our usual monthly meetings. This item was brought to the Lab to receive a new enclosure for a better long-term preservation storage and easier access. Along with a new enclosure, the Lab was asked to create two surrogates of one of the original Palm Leaves for classroom use.  Under the direction of Ashleigh Schieszer, lab conservator, technician Chris Voynovich constructed the housing working closely with Catarina Figuierinhas who created the surrogate leaves.
Palm leaf

Creating Surrogates

In order to create an accurate surrogate of one of the Palm leaves, the Palm leaf book was taken to the University of Cincinnati Digitization Lab to be photographed with a PhaseOne Reprographic System. This system includes 60 MP PhaseOne digital back, DT RCam with electronic shutter, Schneider 72 mm lens, and a motorized copy stand. At the digitization Lab, one of the Palm leaves was digitized, recto and verso. The collaboration between labs allows the Preservation Lab to obtain a great quality image of a Palm leaf to print a high quality surrogate.
i37044734_1197_dig01ni37044734_1197_dig02n
Once the Preservation Lab received an image with enough quality to work with, the process of creating a surrogate started.
In order to create a surrogate, it is important to have in mind several different aspects such as the purpose of the surrogate and the physical characteristics of the original object (texture, thickness and colors). When thinking about the purpose of the surrogate one has to answer questions such as: Is the surrogate going to be displayed or handled?  If so, how?  Behind a glass case? Will it need a presentation enclosure?
In this case, the purpose was for the librarian to be able to show a “real” palm leaf page without having to actually handle the original fragile leaves.  Also, having a surrogate of a palm leaf would allow patrons and scholars to handle a replica of an original object without having to unwrap and open the book.
Our goal was to create two surrogates; one in color, true to the original Palm leaf page; and _dsc1362another black and white, allowing the writing to be read easier.
Since we wanted to create a surrogate as identical as possible to the original, it was necessary to study the original object’s texture and thickness, as well as consider specific details such as gilt edges or punched holes.
The first step was to select several papers to test for printing.  Selected papers had a similar texture and thickness to the original Palm Leaf and/or were selected because they contained a handy ICC profile.
Once the papers were chosen for texture, thickness and color profiling, the image obtained from the Digitization Lab was enhanced in Adobe Photoshop CC 2015 and several surrogate samples were printed using a P7000 Epson Printer pigmented ink jet printer.

Middle holes were punched with a Japanese hole punch.
Middle holes were punched with a Japanese hole punch.

Surprisingly, papers containing ICC profiles did not necessarily produce a more accurate color representation.
Finally, after several trials and errors, a different paper was chosen for each surrogate. The colored surrogate was printed on an archival UltraSmooth Fine Art Epson paper.  The black and white surrogate was printed on an acid-free Curtis Brightwater Artesian white smooth paper.
Edges of the colored surrogate were pained with iridescent gold acrylic paint.
Edges of the colored surrogate were pained with iridescent gold acrylic paint.

Once the surrogates were printed and cut to the exact dimensions, the final finishing touches were made. On both surrogates, the middle holes were punctured in the same fashion as the original palm leaf.  For the colored surrogate, the edges were colored with an iridescent gold Golden High flow Acrylic.  Once the surrogates were complete, the process of constructing an enclosure for both the surrogates and the original object began.
 
 

Constructing a new enclosure

I’ve heard the joy should not be in the finished product but in the process. I have to say I agree with that theory. I love receiving a challenge like this and pounding out a solution. This particular enclosure had many facets which turned out to be exciting as well as rewarding to problem solve together with lab staff.
plam-leaf-3
Using a structure engineered by our lab conservator, first, I created a double-sided sink mat with two open windows to display both sides of the two surrogates.  Rare earth magnets were introduced as fasteners to hold the objects secure inside each mat. The surrogates are supported and viewable through a Vivak and polyester transparent L-sleeve, which is removable.   The Vivak and polyester sleeve was welded together on the lab’s Minter ultrasonic welder.
i37044734_1197_d05n_surrogate_packing_1
Volara supports were constructed to cradle the book so the gilding would not touch any abrasive surfaces, and so there would be a support for the cover once opened. The surrogates help provide information to patrons without causing wear and tear on the fragile book through handling. Originally, we considered storing the surrogates in a tray below or above the book to conserve shelf space, however by arranging the mats next to the object, they could immediately be on display when the enclosure is opened.  I am pleased with the outcome.  It is now possible to enjoy all the parts of this amazing work within the enclosure itself while minimizing the opportunity for damage, as well as providing a “wow!” factor.
i37044734_1197_d02n_packing_1i37044734_1197_d03n_packing_1

Final enclosure with the original palm leaf book and surrogates.

Catarina Figueirinhas (UCL) — Senior Conservation Technician

Ashleigh Schieszer (PLCH) — Book and Paper Conservator

Chris Voynovich (PLCH) — Conservation Technician

Photo credit:  Jessica Ebert (UCL) — Conservation Technician

 
 

We love artists' books!

We love artists' books!

While all the books, documents, and objects that we receive in the lab are interesting and exciting, artists’ books are definitely a crowd favorite, especially amongst the technicians. When Holly and Ashleigh come back from the PLCH rare books meeting and announce they’ve brought back some artists’ book we all get a little excited and know that there are probably some fun cloth covered clamshell boxes in our future. Last week when the techs met with Ashleigh, our conservator, to discuss upcoming projects there was quite a bit of oohing and ahhing when she unwrapped and assembled the two artists’ book they had brought back to the Lab for enclosures.

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Housing the Public Library’s historic stained glass

Housing the Public Library’s historic stained glass

According to the CHPL website, when the original Main Library at 629 Vine Street opened to the public in 1873, three beautiful and intricate stained glass windows graced one of the reading rooms in the building. In 1955, when the building was demolished, the windows were sold at auction, later to resurface as part of the decor of the Old Spaghetti Factory on Pete Rose Way. After the restaurant closed to make room for Paul Brown Stadium, the Library purchased the windows and began making plans to return them to the Main Library for the appreciation and enjoyment of our customers and staff. Thanks to the generosity of the Friends and the Annabel Fey Trust Fund, the three windows have now been re-created and restored to their original glory and are on permanent display in the Main Library.

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The Stereoscope

The Stereoscope

One of my favorite aspects of this job is learning about cool old stuff. I have just had the pleasure of becoming acquainted with stereoscopic images. In the process of surface cleaning and rehousing this project, I saw a lot of cool images and learned about the use of antique stereoscopes.
Antique stereoscopes, also known as stereopticons or stereo-viewers, were popular in the late 1800s and early 1900s. A stereoscopic viewer is a special device that helps us see 2 mounted photographs as one three dimensional image. The way it works is a stereo-view slide is inserted into the viewing device, and the person viewing looks through the device while adjusting the distance of the slide. The slide is adjusted either closer or farther from the viewer’s face until it comes into focus. The two images appear as one 3D image to us when looking through the viewer because we are seeing two perspectives merge into one – not too different from the Magic Eye books that were popular in the 90’s filled with stereograms. The two perspectives are taken with a special camera that has two lenses that mimic how we see the world through two eyes. The lenses are spaced slightly apart, roughly similar to the distance of our eyes.
Cool huh?

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Adhesive Man!

Adhesive Man!

Many times as I am performing tasks at the bench I begin to concentrate deeply on the materials, the tools, the work itself or a number of related subjects. Sometimes my imagination kicks in and I go to a completely weird place inside my head… One time I was removing the adhesive beneath a failed scotch tape repair and I began to roll the adhesive, testing its elasticity between my fingers before discarding it into a pile. I thought to myself, “this stuff has potential” and “it seems to have a life of its own”. Well, as I carefully stacked the discarded adhesive balls, they began to take shape… That was the beginning of Adhesive Man. I am strangely confident he will make future appearances around the Lab.
Adhesive Man_blog1
Chris Voynovich (PLCH) —- Conservation Technician

An "earie" object to have in the Lab…

An "earie" object to have in the Lab…

Recently we received an unusual item from the University of Cincinnati’s Winkler Center for the History of the Health Professions:  a prosthetic ear dating to the mid 1950’s accompanied by a small photograph and newspaper clipping depicting the patient modeling the false ear.  Fortunately, or unfortunately depending on your point of view, the ear we received in the lab was a primary model used to construct the actual prosthetic, so it would not have been worn regularly by the patient.  I have to admit this is one of the more gruesome items I’ve come across in a conservation lab.  Not because it’s a prosthetic ear, but more so because improper housing and storage conditions led to deterioration which gave the ear a very bumpy almost wart-like surface appearance…and it looks so real…

The ear and its original housing materials.  The photograph and clipping were stored in the yellow envelope.
The ear and its original housing materials. The photograph and clipping were stored in the yellow envelope.

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